Thursday, March 26, 2009

on turning ten



On Turning Ten

The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

--Billy Collins

xxx
today is my birthday. billy collins knows exactly how birthdays make me feel.

Tuesday, March 24, 2009

to earthward



To Earthward

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air
That crossed me from sweet things,
The flow of- was it musk
From hidden grapevine springs
Down hill at dusk?
I had the swirl and ache
From sprays of honeysuckle
That when they're gathered shake
Dew on the knuckle.
I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.
Now no joy but lacks salt
That is not dashed with pain
And weariness and fault;
I crave the stain
Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.
When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,
The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.

--Robert Frost

xxx
robert frost is my birthday twin from new hampshire.

Sunday, March 22, 2009

lines lost among trees



Lines Lost Among Trees

These are not the lines that came to me
while walking in the woods
with no pen
and nothing to write on anyway.

They are gone forever,
a handful of coins
dropped through the grate of memory,
along with the ingenious mnemonic

I devised to hold them in place –
all gone and forgotten
before I had returned to the clearing of lawn
in the back of our quiet house

with its jars jammed with pens,
its notebooks and reams of blank paper,
its desk and soft lamp,
its table and the light from its windows.

So this is my elegy for them,
those six or eight exhalations,
the braided rope of the syntax,
the jazz of the timing,

and the little insight at the end
wagging like the short tail
of a perfectly obedient spaniel
sitting by the door.

This is my envoy to nothing
where I say Go, little poem –
not out into the world of strangers’ eyes,
but off to some airy limbo,

home to lost epics,
unremembered names,
and fugitive dreams
such as the one I had last night,

which like a fantastic city in pencil,
erased itself
in the bright morning air
just as I was waking up.

--Billy Collins

xxx
happy birthday billy collins.

Friday, March 20, 2009

since feeling is first...



since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a far better fate
than wisdom
lady i swear by all flowers. Don't cry
--the best gesture of my brain is less than
your eyelids' flutter which says

we are for eachother: then
laugh, leaning back in my arms
for life's not a paragraph

And death i think is no parenthesis

--e.e. cummings

xxx
happy spring.

Wednesday, March 18, 2009

oceans



Oceans

I have a feeling that my boat
Has struck, down there in the depths,
Against a great thing.
And nothing
happens! Nothing... Silence... Waves...

-- Nothing happens? Or has everything happened,
and we are standing now,
quietly in the new life?

--Juan Ramón Jiménez
(translated by Robert Bly)

xxx
photo by janet.

Sunday, March 15, 2009

prayer



Prayer

Whatever happens. Whatever
what is is is what
I want. Only that. But that.

--Galway Kinnell

Friday, March 13, 2009

you begin



You Begin

You begin this way:
this is your hand,
this is your eye,
that is a fish, blue and flat
on the paper, almost
the shape of an eye.
This is your mouth, this is an O
or a moon, whichever
you like. This is yellow.

Outside the window
is the rain, green
because it is summer, and beyond that
the trees and then the world,
which is round and has only
the colors of these nine crayons.

This is the world, which is fuller
and more difficult to learn than I have said.
You are right to smudge it that way
with the red and then
the orange: the world burns.

Once you have learned these words
you will learn that there are more
words than you can ever learn.
The word hand floats above your hand
like a small cloud over a lake.
The word hand anchors
your hand to this table,
your hand is a warm stone
I hold between two words.

This is your hand, these are my hands, this is the world,
which is round but not flat and has more colors
than we can see.

It begins, it has an end,
this is what you will
come back to, this is your hand.

--Margaret Atwood

Monday, March 9, 2009

the healing time



The Healing Time

Finally on my way to yes
I bump into
all the places
where I said no
to my life
all the untended wounds
the red and purple scars
those hieroglyphs of pain
carved into my skin, my bones,
those coded messages
that send me down
the wrong street
again and again
where I find them
the old wounds
the old misdirections
and I lift them
one by one
close to my heart
and I say
Holy Holy.

--Pesha Joyce Gertler

Sunday, March 8, 2009

it's heavy to drag, this big sack...



It's heavy to drag, this big sack of what
you should have done. And finally
you can't lift it any more.
Someone says, "Come on," and you
just look at them. Trees are waiting,
mountains. You never intended
that it should come to this.

But Now has arrived and is looking
straight at you, the way a lion does
when thinking it over, and anything
can happen. It's time for the cavalry
or maybe the Lone Ranger. But they
won't come. Maybe the music will
spill over and start it all again.
Maybe.

--William Stafford

Thursday, March 5, 2009

forgotten language



Forgotten Language

Once I spoke the language of the flowers,
Once I understood each word the caterpillar said,
Once I smiled in secret at the gossip of the starlings,
And shared a conversation with the housefly
in my bed.
Once I heard and answered all the questions
of the crickets,
And joined the crying of each falling dying
flake of snow,
Once I spoke the language of the flowers. . . .
How did it go?
How did it go?

--Shel Silverstein

xxx
photo by darita. i'm pretty sure our caterpillar was a spicebrush swallowtail.

Sunday, March 1, 2009

so you want to be a writer?



so you want to be a writer?

if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.

if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.

don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.

--Charles Bukowski

Thursday, February 26, 2009

i go back to the house for a book



I Go Back to the House for a Book

I turn around on the gravel
and go back to the house for a book,
something to read at the doctor's office,
and while I am inside, running the finger
of inquisition along a shelf,
another me that did not bother
to go back to the house for a book
heads out on his own,
rolls down the driveway,
and swings left toward town,
a ghost in his ghost car,
another knot in the string of time,
a good three minutes ahead of me —
a spacing that will now continue
for the rest of my life.

Sometimes I think I see him
a few people in front of me on a line
or getting up from a table
to leave the restaurant just before I do,
slipping into his coat on the way out the door.
But there is no catching him,
no way to slow him down
and put us back in synch,
unless one day he decides to go back
to the house for something,
but I cannot imagine
for the life of me what that might be.

He is out there always before me,
blazing my trail, invisible scout,
hound that pulls me along,
shade I am doomed to follow,
my perfect double,
only bumped an inch into the future,
and not nearly as well-versed as I
in the love poems of Ovid —
I who went back to the house
that fateful winter morning and got the book.

--Billy Collins

Tuesday, February 24, 2009

let go of your worries..



Let go of your worries
and be completely clear-hearted,
like the face of a mirror
that contains no images.
If you want a clear mirror,
behold yourself
and see the shameless truth,
which the mirror reflects.
If metal can be polished
to a mirror-like finish,
what polishing might the mirror
of the heart require?
Between the mirror and the heart
is this single difference:
the heart conceals secrets,
while the mirror does not.

--Rumi

xxx
happy birthday marguerite.

Sunday, February 22, 2009

winter's end



Winter's End

Once in a wood at winter's end,
The withered sun, becoming young,
Turned the white silence into sound:
Bird after bird rose up in song.
The skeletons of snow-blocked trees
Linked thinning shadows here and there,
And those made mummy by the freeze
Spangled their mirrors on cold air.
Whether they moved — perhaps they spun,
Caught in a new but known delight —
Was hard to tell, since shade and sun
Mingled to hear the birds recite.
No body of this sound I saw,
So glassed and shining was the world
That swung on a sun-and-ice seesaw
And fought to have its leaves unfurled.
Hanging its harvest in between
Two worlds, one lost, one yet to come,
The wood's remoteness, like a drum,
Beat the oncoming season in.
Then every snow bird on white wings
Became its tropic counterpart,
And, in a renaissance of rings,
I saw the heart of summer start.

--Howard Moss

xxx
i know that winter's not over. but in february, i'm allowed to be optimistic.

Friday, February 20, 2009

the love song of j. alfred prufrock



The Love Song of J. Alfred Prufrock

S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,

Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun,
s’i’odo il vero,
Senza tema d’infamia ti rispondo.





LET us go then, you and I,




When the evening is spread out against the sky




Like a patient etherised upon a table;




Let us go, through certain half-deserted streets,




The muttering retreats




Of restless nights in one-night cheap hotels




And sawdust restaurants with oyster-shells:




Streets that follow like a tedious argument




Of insidious intent




To lead you to an overwhelming question …




Oh, do not ask, “What is it?”




Let us go and make our visit.









In the room the women come and go




Talking of Michelangelo.









The yellow fog that rubs its back upon the window-panes,




The yellow smoke that rubs its muzzle on the window-panes




Licked its tongue into the corners of the evening,




Lingered upon the pools that stand in drains,




Let fall upon its back the soot that falls from chimneys,




Slipped by the terrace, made a sudden leap,




And seeing that it was a soft October night,




Curled once about the house, and fell asleep.









And indeed there will be time




For the yellow smoke that slides along the street,




Rubbing its back upon the window-panes;




There will be time, there will be time




To prepare a face to meet the faces that you meet;




There will be time to murder and create,




And time for all the works and days of hands




That lift and drop a question on your plate;




Time for you and time for me,




And time yet for a hundred indecisions,




And for a hundred visions and revisions,




Before the taking of a toast and tea.









In the room the women come and go




Talking of Michelangelo.









And indeed there will be time




To wonder, “Do I dare?” and, “Do I dare?”




Time to turn back and descend the stair,




With a bald spot in the middle of my hair—




[They will say: “How his hair is growing thin!”]




My morning coat, my collar mounting firmly to the chin,




My necktie rich and modest, but asserted by a simple pin—




[They will say: “But how his arms and legs are thin!”]




Do I dare




Disturb the universe?




In a minute there is time




For decisions and revisions which a minute will reverse.









For I have known them all already, known them all:—




Have known the evenings, mornings, afternoons,




I have measured out my life with coffee spoons;




I know the voices dying with a dying fall




Beneath the music from a farther room.




So how should I presume?









And I have known the eyes already, known them all—




The eyes that fix you in a formulated phrase,




And when I am formulated, sprawling on a pin,




When I am pinned and wriggling on the wall,




Then how should I begin




To spit out all the butt-ends of my days and ways?




And how should I presume?









And I have known the arms already, known them all—




Arms that are braceleted and white and bare




[But in the lamplight, downed with light brown hair!]




It is perfume from a dress




That makes me so digress?




Arms that lie along a table, or wrap about a shawl.




And should I then presume?




And how should I begin?
. . . . .





Shall I say, I have gone at dusk through narrow streets




And watched the smoke that rises from the pipes




Of lonely men in shirt-sleeves, leaning out of windows?…









I should have been a pair of ragged claws




Scuttling across the floors of silent seas.
. . . . .





And the afternoon, the evening, sleeps so peacefully!




Smoothed by long fingers,




Asleep … tired … or it malingers,




Stretched on the floor, here beside you and me.




Should I, after tea and cakes and ices,




Have the strength to force the moment to its crisis?




But though I have wept and fasted, wept and prayed,




Though I have seen my head [grown slightly bald] brought in upon a platter,




I am no prophet—and here’s no great matter;




I have seen the moment of my greatness flicker,




And I have seen the eternal Footman hold my coat, and snicker,




And in short, I was afraid.









And would it have been worth it, after all,




After the cups, the marmalade, the tea,




Among the porcelain, among some talk of you and me,




Would it have been worth while,




To have bitten off the matter with a smile,




To have squeezed the universe into a ball




To roll it toward some overwhelming question,




To say: “I am Lazarus, come from the dead,




Come back to tell you all, I shall tell you all”—




If one, settling a pillow by her head,




Should say: “That is not what I meant at all.




That is not it, at all.”









And would it have been worth it, after all,




Would it have been worth while,




After the sunsets and the dooryards and the sprinkled streets,




After the novels, after the teacups, after the skirts that trail along the floor—




And this, and so much more?—




It is impossible to say just what I mean!




But as if a magic lantern threw the nerves in patterns on a screen:




Would it have been worth while




If one, settling a pillow or throwing off a shawl,




And turning toward the window, should say:




“That is not it at all,




That is not what I meant, at all.”
. . . . .





No! I am not Prince Hamlet, nor was meant to be;




Am an attendant lord, one that will do




To swell a progress, start a scene or two,




Advise the prince; no doubt, an easy tool,




Deferential, glad to be of use,




Politic, cautious, and meticulous;




Full of high sentence, but a bit obtuse;




At times, indeed, almost ridiculous—




Almost, at times, the Fool.









I grow old … I grow old …




I shall wear the bottoms of my trousers rolled.









Shall I part my hair behind? Do I dare to eat a peach?




I shall wear white flannel trousers, and walk upon the beach.




I have heard the mermaids singing, each to each.









I do not think that they will sing to me.









I have seen them riding seaward on the waves




Combing the white hair of the waves blown back




When the wind blows the water white and black.









We have lingered in the chambers of the sea




By sea-girls wreathed with seaweed red and brown




Till human voices wake us, and we drown.


--T.S. Eliot

xxx
this is in defense of all things beautiful.

Monday, February 16, 2009

it may not always be so...



it may not always be so; and i say
that if your lips, which i have loved, should touch
another's, and your dear strong fingers clutch
his heart, as mine in time not far away;
if on another's face your sweet hair lay
in such a silence as i know, as such
great writhing words as, uttering overmuch,
stand helplessly before the spirit at bay;

if this should be, i say if this should be -
you of my heart, send me a little word;
that i may go unto him, and take his hands,
saying, Accept all happiness from me.
Then shall i turn my face, and hear one bird
sing terribly afar in the lost lands.

--e.e. cummings

xxx
this is not the perfect picture, but i don't have much else to fit with probably the most beautiful way in the world to deal with a parting of ways.

Sunday, February 15, 2009

litany



Litany

You are the bread and the knife,
The crystal goblet and the wine...
-Jacques Crickillon

You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.

However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.

It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.

And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.

It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.

I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.

I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.

--Billy Collins

xxx
reagan's photo. thanks to 'prairie home companion,' this was my introduction to billy collins and to living poets when i was 11 years old.

Saturday, February 14, 2009

i carry your heart with me



i carry your heart with me

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

--e.e. cummings

xxx
love yourself.

Tuesday, February 10, 2009

because she would ask me why i loved her



Because She Would Ask Me Why I Loved Her

If questioning would make us wise
No eyes would ever gaze in eyes;
If all our tale were told in speech
No mouths would wander each to each.

Were spirits free from mortal mesh
And love not bound in hearts of flesh
No aching breasts would yearn to meet
And find their ecstasy complete.

For who is there that lives and knows
The secret powers by which he grows?
Were knowledge all, what were our need
To thrill and faint and sweetly bleed?

Then seek not, sweet, the "If" and "Why"
I love you now until I die.
For I must love because I live
And life in me is what you give.

--Christopher Brennan

Friday, February 6, 2009

oniomania



Oniomania

Not so much the desire
for owning things
as the inability to choose
between hunter or emerald
green, to buy
just roses, when there are birds
of paradise, dahlias,
delphinium, and baby's breath.
At center an emptiness
large as a half-off sale table.
What could be so wrong
with a little indulgence?
To wander the aisles of fresh
new good things knowing
any of them could be hers?
With a closet full of shoes
unworn back home,
she's looking for love
but it's not for sale —
so she grabs three of
the next best thing.

--Peter Pereira

Wednesday, February 4, 2009

advice from casals



Every second we live is a new and unique moment for the universe,
a moment that never was before and never will be again.
And what do we teach children in school?
We teach them that two and two make four
and that Paris is the capital of France.
When will we also teach them: Do you know what you are?
You are a marvel. You are unique.
On of the world there is no other child exactly like you.
On the millions of years that have passed there has never
been another child like you.
And look at your body what a wonder it is!
Your legs, your arms, your cunning fingers, the way you move!
You may become a Shakespeare, a Michelangelo, a Beethoven.
You have the capacity for anything.
Yes you are a marvel.
And when you grow up, can you then harm another who is,
like you, a marvel.
You must cherish one another.
You must work.
We all must work to make this world worthy of children.

--Pablo Casals.

xxx
one of my parents took this photo of us on our first family trip to ireland. we spent most of the trip traveling in the gypsy caravan you see in the background.

Saturday, January 31, 2009

spirit horses



Spirit Horses

Every breath taken in by the man
Who loves, and the woman who loves,
Goes to fill the water tank
Where the spirit horses drink.

--Robert Bly

xxx
happy birthday roger.

a further note:
"this poem is for young women especially. if your boyfriend doesn’t get it, then get out.” –delp

Tuesday, January 27, 2009

this is love: to fly toward a secret sky...



This is love: to fly toward a secret sky,
to cause a hundred veils to fall each moment.
First, to let go of life.
In the end, to take a step without feet;
to regard this world as invisible,
and to disregard what appears to be the self.

Heart, I said, what a gift it has been
to enter this circle of lovers,
to see beyond seeing itself,
to reach and feel within the breast.

--Rumi

Sunday, January 25, 2009

sayings of the blind



Sayings of the Blind

Feeling is believing.

Mountains don't exist. But their slopes do.

Little people have low voices.

All things, even the rocks, make a little noise.

The silence back of all sound is called "the sky."

There is a big stranger in town called the sun.
He doesn't speak to us but puts out a hand.

Night opens a door into a cellar ~
you can smell it coming.

On Sundays everyone stands farther apart.

Velvet feels black.

Meeting cement is never easy.

What do they mean when they say night is gloomy?

Edison didn't invent much.

Whenever you wake up it's morning.

Names have a flavor.

--William Stafford

Friday, January 23, 2009

love is more thicker than forget



love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail

it is most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea

love is less always than to win
less never than alive
less bigger than the least begin
less littler than forgive

it is more sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky

--e.e. cummings

xxx
i cannot claim this photo. my mom took this when my parents lived in africa and went on safari in kenya for their honeymoon.

Tuesday, January 20, 2009

inaugural poem



Inaugural Poem

Praise song for the day.

Each day we go about our business, walking past each other, catching each others' eyes or not, about to speak or speaking. All about us is noise. All about us is noise and bramble, thorn and din, each one of our ancestors on our tongues. Someone is stitching up a hem, darning a hole in a uniform, patching a tire, repairing the things in need of repair.

Someone is trying to make music somewhere with a pair of wooden spoons on an oil drum with cello, boom box, harmonica, voice.

A woman and her son wait for the bus.

A farmer considers the changing sky; A teacher says, "Take out your pencils. Begin."

We encounter each other in words, words spiny or smooth, whispered or declaimed; words to consider, reconsider.

We cross dirt roads and highways that mark the will of someone and then others who said, "I need to see what's on the other side; I know there's something better down the road."

We need to find a place where we are safe; We walk into that which we cannot yet see.

Say it plain, that many have died for this day. Sing the names of the dead who brought us here, who laid the train tracks, raised the bridges, picked the cotton and the lettuce, built brick by brick the glittering edifices they would then keep clean and work inside of.

Praise song for struggle; praise song for the day. Praise song for every hand-lettered sign; The figuring it out at kitchen tables.

Some live by "Love thy neighbor as thy self."

Others by first do no harm, or take no more than you need.

What if the mightiest word is love, love beyond marital, filial, national. Love that casts a widening pool of light. Love with no need to preempt grievance.

In today's sharp sparkle, this winter air, anything can be made, any sentence begun.

On the brink, on the brim, on the cusp -- praise song for walking forward in that light.

--Elizabeth Alexander

xxx
this is a transcript of the poem read at obama's inauguration. i'm not sure how i feel about it, but i thought it was appropriate. today, i am so proud. the world is beautiful.

Saturday, January 17, 2009

the breeze at dawn



The breeze at dawn has
secrets to tell you.
Don't go back to sleep.
You must ask for what you really want.
Don't go back to sleep.
People are going back and forth across the doorsill where
the two worlds touch.
The door is round and open.
Don't go back to sleep.

--Rumi

Thursday, January 15, 2009

a supermarket in california



A Supermarket in California

What thoughts I have of you tonight, Walt Whitman, for
I walked down the sidestreets under the trees with a headache
self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went
into the neon fruit supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families
shopping at night! Aisles full of husbands! Wives in the
avocados, babies in the tomatoes!--and you, Garcia Lorca, what
were you doing down by the watermelons?

I saw you, Walt Whitman, childless, lonely old grubber,
poking among the meats in the refrigerator and eyeing the grocery
boys.
I heard you asking questions of each: Who killed the
pork chops? What price bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans
following you, and followed in my imagination by the store
detective.
We strode down the open corridors together in our
solitary fancy tasting artichokes, possessing every frozen
delicacy, and never passing the cashier.

Where are we going, Walt Whitman? The doors close in
an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the
supermarket and feel absurd.)
Will we walk all night through solitary streets? The
trees add shade to shade, lights out in the houses, we'll both be
lonely.

Will we stroll dreaming of the lost America of love
past blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher,
what America did you have when Charon quit poling his ferry and
you got out on a smoking bank and stood watching the boat
disappear on the black waters of Lethe?

--Allen Ginsberg

Sunday, January 11, 2009

carpe diem



Carpe Diem

Age saw two quiet children
Go loving by at twilight,
He knew not whether homeward,
Or outward from the village,
Or (chimes were ringing) churchward,
He waited (they were strangers)
Till they were out of hearing
To bid them both be happy.
"Be happy, happy, happy,
And seize the day of pleasure."
The age-long theme is Age's.
'Twas Age imposed on poems
Their gather-roses burden
To warn against the danger
That overtaken lovers
From being overflooded
With happiness should have it.
And yet not know they have it.
But bid life seize the present?
It lives less in the present
Than in the future always,
And less in both together
Than in the past. The present
Is too much for the senses,
Too crowding, too confusing—
Too present to imagine.

--Robert Frost

Friday, January 9, 2009

monet refuses the operation



Monet Refuses the Operation

Doctor, you say there are no haloes
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don't see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolves
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don't know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.

--Lisa Mueller

Thursday, January 8, 2009

manifesto: the mad farmer liberation front



Manifesto: The Mad Farmer Liberation Front

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.

And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.

When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won't compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.

Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.

Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.

Listen to carrion -- put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.

Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?

Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.

As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn't go.

Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.

--Wendell Berry

Wednesday, January 7, 2009

they'll



They'll

They'll

take your soul
and put it in a suit,
fit you in boxes
under labels,
make you look like the Joneses.

They'll tell you go a little blonder,
suggest sky-blue
tinted contact lenses,
conceal that birthmark
under your chin.

They'll urge you to have babies
get fulfilled.
They'll say marriage is easy,
flowers from Thornhills
are all you need
to keep it together.

They'll push you to go ahead,
borrow a few more grand,
build a dream house.
Your boys need Nikes,
your girls cheerleading,
and all you need is your job
9 to 5 in the same place.

They'll order you never to cry
in Southern States,
and never, ever dance
in the rain.

They'll repeat all the things
your preschool teacher said
in that squeaky too tight voice.

And when you slowly
let them go,
crack your suit,
ooze your soul
in the sun,
when you run through
the woods with your dog,
read poems to swaying cornfields,
pray in tall red oaks,
they'll whisper
and pretend you're crazy.

--Cheryl Denise

Tuesday, January 6, 2009

excerpt from 'as you like it'



from As You Like It (II.vii)

Blow, blow, thou winter wind,
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly.
Then heigh-ho! the holly!
This life is most jolly.

Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember'd not.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly.
Then heigh-ho! the holly!
This life is most jolly.

--William Shakespeare

Monday, January 5, 2009

prayer



Prayer

Over a dock railing, I watch the minnows, thousands, swirl
themselves, each a minuscule muscle, but also, without the
way to create current, making of their unison (turning, re-
infolding,
entering and exiting their own unison in unison) making of themselves a
visual current, one that cannot freight or sway by
minutest fractions the water's downdrafts and upswirls, the
dockside cycles of finally-arriving boat-wakes, there where
they hit deeper resistance, water that seems to burst into
itself (it has those layers) a real current though mostly
invisible sending into the visible (minnows) arrowing
motion that forces change--
this is freedom. This is the force of faith. Nobody gets
what they want. Never again are you the same. The longing
is to be pure. What you get is to be changed. More and more by
each glistening minute, through which infinity threads itself,
also oblivion, of course, the aftershocks of something
at sea. Here, hands full of sand, letting it sift through
in the wind, I look in and say take this, this is
what I have saved, take this, hurry. And if I listen
now? Listen, I was not saying anything. It was only
something I did. I could not choose words. I am free to go.
I cannot of course come back. Not to this. Never.
It is a ghost posed on my lips. Here: never.

--Jorie Graham

Sunday, January 4, 2009

altruism



Altruism

What if we got outside ourselves and there
really was an outside out there, not just
our insides turned inside out? What if there
really were a you beyond me, not just
the waves off my own fire, like those waves off
the backyard grill you can see the next yard through,
though not well—just enough to know that off
to the right belongs to someone else, not you.
What if, when we said I love you, there were
a you to love as there is a yard beyond
to walk past the grill and get to? To endure
the endless walk through the self, knowing through a bond
that has no basis (for ourselves are all we know)
is altruism: not giving, but coming to know
someone is there through the wavy vision
of the self’s heat, love become a decision.

--Molly Peacock